• ARTICLES
    • - A Voice From Pre-History
    • - A Distorted Point of View
    • - Who Owns the Clip? - A Response
    • - Who Owns the Clip? - Part 2
    • - Who Owns the Clip? - Part 1
    • - What is Freestyle?
    • - Style, Nuances, and Trick Differentiation
    • - Is BMX Actually That Fun?
    • - Why Street Riding Became Such a Dominant Force in BMX Culture
    • - On Getting Rad
    • - An Open Letter about BMX Sponsorships
    • - CIF #3: Steering the Ship - The Future of BMX Culture
    • - History Speaks For Itself
    • - CIF #2: Identity Battles - The False War in BMX
    • - BMX and Mental Health
    • - CIF #1: Vlogging and its influence on BMX Social Hierarchy
    • - A Response to the Florideah Swampfest
    • - The Destruction of a F#%kboy
    • - FOS #5: Our Terrains
    • - FOS #4: Our Machines
    • - FOS #3: Our Bodies
    • - FOS #2: Our Competitions
    • - FOS #1: Attack of the Clones
    • - Specialization and the Myth of the All-Around Rider PART 2
    • - Specialization and the Myth of the All-Around Rider PART 1
    • - Self Investment
    • - Let It Be Printed
  • PODCASTS
    • - BMX Breakdown: Boxpalm – The Intersection of BMX, Art, Cultural Commentary, and Fun
    • - BMX Breakdown: Micah Kranz - Stunt Shows and Their Place in BMX Culture
    • - BMX Breakdown: Russell Wadlin - BMX Smorgasbord
    • - BMX Breakdown: Dillon McClain and The Hardcopy BMX Archive
    • - Special Update: What's Happening With Project Spoke
    • - BMX Breakdown: Ryan Corrigan - Ramps, Riding, and Real Life
    • - BMX Breakdown: Listener Podcast #1
    • - BMX Breakdown: Andy Kent - The Story Untold
    • - BMX Breakdown: Jeff Klugiewicz and Life After BMX
    • - Special Update: The Launch of Project Spoke
    • - BMX Breakdown: Act Like You Know Cru – BMX Smorgasbord
    • - BMX Breakdown: Ryan Fudger and the Challenges and Realities of Running a BMX Media Outlet
    • - BMX Breakdown: Ross Lavender - Studying BMX History and Anthropology
    • - BMX Breakdown: Trey Jones – BMX Smorgasbord
    • - BMX Breakdown: Jay Roe – Sponsorships, Crews, The Olympics, and the “Death of BMX”
    • - BMX Breakdown: Brian Tunney – X-Games, Olympics, and Rodeo Peanut
    • - BMX Breakdown: Jon “Gremlin” Bechtold – Blue Collar BMX, The Daily Grind, and Straight Edge
    • - BMX Breakdown: Andrew Mick – Real-Life Confessions from a Rider
    • - BMX Breakdown: Richard Mungall - A Whole New Way of Thinking about the Economics of BMX
    • - BMX Breakdown: Nick Seabasty and The Anatomy of a BMX Clothing Brand
    • - BMX Breakdown: Steve Caro and the Story of the life of a BMX Brand
    • - BMX Breakdown: Rich Hirsch – Twenty Years of Creating in BMX
    • - BMX Breakdown: Chase Dehart - Reflections On Growing Up Through BMX
    • - BMX Breakdown: Nick Ferreira and Challenger BMX Mag
    • - BMX Breakdown: Jeff Zielinski – BMX Smorgasbord
    • - BMX Breakdown: Audience Invite
    • - BMX Breakdown: Brian Kachinsky – Advocacy, Influence, and Integrity in BMX
    • - BMX Breakdown: Ryan Fudger – Change, Adaptation, and Evolution in BMX Media
    • - BMX Breakdown: Chris Rye and the Institution of Video Production in BMX
    • - BMX Breakdown: Zack Gerber - Grey Areas and Forgotten People in BMX
    • - BMX Breakdown: Grant Castelluzzo and the Functions of Video in BMX
    • - Breakdown: Dan Price and "The Way" in BMX
    • - BMX Breakdown: Vic Bettencourt - The Role of Local Shops in BMX
    • - BMX Breakdown: Lino Gonzalez - BMX Smorgasbord
    • - BMX Breakdown: Richard Mungall - Exploring "Freestyle"
    • - BMX Breakdown: Rob Dolecki and BMX Media
    • - BMX Breakdown: Lil Jon and the DIY Ethic
    • - BMX Breakdown: Jeff Klugiewicz and Generational Tension
    • - BMX Breakdown: Richard Mungall and The Culture of BMX
  • FEATURED
    • BMX-Focused Shops
    • Crews in BMX
    • Curb Cuts - Richard Mungall
    • A Culture in Flux - Mike Hinkens
    • Foundations of Style - Pat Fisher
  • ABOUT
  • PARTICIPATE
  • NETWORK
  • STORE
  • ARTICLES
    • - A Voice From Pre-History
    • - A Distorted Point of View
    • - Who Owns the Clip? - A Response
    • - Who Owns the Clip? - Part 2
    • - Who Owns the Clip? - Part 1
    • - What is Freestyle?
    • - Style, Nuances, and Trick Differentiation
    • - Is BMX Actually That Fun?
    • - Why Street Riding Became Such a Dominant Force in BMX Culture
    • - On Getting Rad
    • - An Open Letter about BMX Sponsorships
    • - CIF #3: Steering the Ship - The Future of BMX Culture
    • - History Speaks For Itself
    • - CIF #2: Identity Battles - The False War in BMX
    • - BMX and Mental Health
    • - CIF #1: Vlogging and its influence on BMX Social Hierarchy
    • - A Response to the Florideah Swampfest
    • - The Destruction of a F#%kboy
    • - FOS #5: Our Terrains
    • - FOS #4: Our Machines
    • - FOS #3: Our Bodies
    • - FOS #2: Our Competitions
    • - FOS #1: Attack of the Clones
    • - Specialization and the Myth of the All-Around Rider PART 2
    • - Specialization and the Myth of the All-Around Rider PART 1
    • - Self Investment
    • - Let It Be Printed
  • PODCASTS
    • - BMX Breakdown: Boxpalm – The Intersection of BMX, Art, Cultural Commentary, and Fun
    • - BMX Breakdown: Micah Kranz - Stunt Shows and Their Place in BMX Culture
    • - BMX Breakdown: Russell Wadlin - BMX Smorgasbord
    • - BMX Breakdown: Dillon McClain and The Hardcopy BMX Archive
    • - Special Update: What's Happening With Project Spoke
    • - BMX Breakdown: Ryan Corrigan - Ramps, Riding, and Real Life
    • - BMX Breakdown: Listener Podcast #1
    • - BMX Breakdown: Andy Kent - The Story Untold
    • - BMX Breakdown: Jeff Klugiewicz and Life After BMX
    • - Special Update: The Launch of Project Spoke
    • - BMX Breakdown: Act Like You Know Cru – BMX Smorgasbord
    • - BMX Breakdown: Ryan Fudger and the Challenges and Realities of Running a BMX Media Outlet
    • - BMX Breakdown: Ross Lavender - Studying BMX History and Anthropology
    • - BMX Breakdown: Trey Jones – BMX Smorgasbord
    • - BMX Breakdown: Jay Roe – Sponsorships, Crews, The Olympics, and the “Death of BMX”
    • - BMX Breakdown: Brian Tunney – X-Games, Olympics, and Rodeo Peanut
    • - BMX Breakdown: Jon “Gremlin” Bechtold – Blue Collar BMX, The Daily Grind, and Straight Edge
    • - BMX Breakdown: Andrew Mick – Real-Life Confessions from a Rider
    • - BMX Breakdown: Richard Mungall - A Whole New Way of Thinking about the Economics of BMX
    • - BMX Breakdown: Nick Seabasty and The Anatomy of a BMX Clothing Brand
    • - BMX Breakdown: Steve Caro and the Story of the life of a BMX Brand
    • - BMX Breakdown: Rich Hirsch – Twenty Years of Creating in BMX
    • - BMX Breakdown: Chase Dehart - Reflections On Growing Up Through BMX
    • - BMX Breakdown: Nick Ferreira and Challenger BMX Mag
    • - BMX Breakdown: Jeff Zielinski – BMX Smorgasbord
    • - BMX Breakdown: Audience Invite
    • - BMX Breakdown: Brian Kachinsky – Advocacy, Influence, and Integrity in BMX
    • - BMX Breakdown: Ryan Fudger – Change, Adaptation, and Evolution in BMX Media
    • - BMX Breakdown: Chris Rye and the Institution of Video Production in BMX
    • - BMX Breakdown: Zack Gerber - Grey Areas and Forgotten People in BMX
    • - BMX Breakdown: Grant Castelluzzo and the Functions of Video in BMX
    • - Breakdown: Dan Price and "The Way" in BMX
    • - BMX Breakdown: Vic Bettencourt - The Role of Local Shops in BMX
    • - BMX Breakdown: Lino Gonzalez - BMX Smorgasbord
    • - BMX Breakdown: Richard Mungall - Exploring "Freestyle"
    • - BMX Breakdown: Rob Dolecki and BMX Media
    • - BMX Breakdown: Lil Jon and the DIY Ethic
    • - BMX Breakdown: Jeff Klugiewicz and Generational Tension
    • - BMX Breakdown: Richard Mungall and The Culture of BMX
  • FEATURED
    • BMX-Focused Shops
    • Crews in BMX
    • Curb Cuts - Richard Mungall
    • A Culture in Flux - Mike Hinkens
    • Foundations of Style - Pat Fisher
  • ABOUT
  • PARTICIPATE
  • NETWORK
  • STORE
IMPRIMATUR

A FORUM FOR THE ANALYTICAL DISCUSSION OF BMX CULTURE & Politics

What's up with "Crews" in BMX?

by Mike Hinkens
​May 5th, 2019
See further below for updated crew surveys.

Hey man, here’s a sticker.”

“Thanks. What’s it for? Is it brand? What do you make?”

“Nah, nothing. We’re just a crew.”


In the more than two decades I’ve been riding BMX bikes, I have had this conversation an innumerable amount of times. And I am willing to bet, so have you. As a matter of fact, I would bet that almost every bike rider reading this has probably been on both sides of it.

The “crew” is one of the most common social constructions in BMX culture. The exact things they produce and the specific activities they partake in are all slightly different, yet they almost all can be defined as:

A group of riders who have given themselves a name and aligned to produce one, a few, or all of the following: stickers, clothing, videos, trips, or events.

Anecdotally, it seems as if there are more crews in BMX than ever. It’s hard to say for certain, but one could argue that it is just easier to see them now that anyone can make a logo, start an Instagram account or a YouTube channel, organize an event, and start sharing media for all to see.

Regardless of the amount, I would argue that crews are both important and worth paying attention to. They often have been the glue that has held BMXers together as well as the motivating force behind videos, events, and various projects.

On one hand, I think many of us have a general and basic understanding as to why crews form and why they have been a part of BMX since its inception, but on the other hand, I think we need to hear from actual crews themselves about the reasons they formed, what they actually do, and what they are all about.

To that end, I have compiled a list of as many crews as I could find that have been active in BMX in the last 12-18 months and reached out to them to hear their thoughts on the concept of “crews” and more. I have included crews on that list if they had a name defining them and had produced some sort of media or event. I excluded groups that made hardgoods (parts) or groups that were extensions of bike shops, bike companies, or content aggregators. In addition, I did not include organizations/websites along the lines of media companies, advocacy groups, unions, or organizational bodies. I did this in an effort to keep the study as narrow and therefore as accurate as possible. The definition of crew is loose though, and there are certainly blurred lines in a list like this. People should understand that I have strived to be inclusive as opposed to exclusive, and that any crew not mentioned in this series was most likely not avoided intentionally. If you feel you should be involved, please reach out to me.

That being said, the following is a compilation of surveys of as many crews as I could find that fit the criteria above. I reached out to each crew with a set of questions that I think will help define the idea of “the crew” more solidly in BMX, help explain why they are such a big part of BMX in general, and also shine some light on the multitudes of riders out there working hard to do awesome and constructive stuff.

Crew Surveys

Use the buttons below to learn about the crews who have submitted responses.
Crew Spotlight #1
Crew Spotlight #2
Crew Spotlight #3
Crew Spotlight #4
Crew Spotlight #5
Crew Spotlight #6
Crew Spotlight #7
Crew Spotlight #8

CLICK HERE TO RESPOND

Responses

Do you have something to add? A crew we should contact/feature?
​Click the button above and get involved in the conversation.

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